Monthly Archives: April 2019

San Damiano Crucifix Mosaic by artist Kevin Pawlowski.

Passion Projects

I have written in the past about “passion projects,” which is a term I use to describe first-time projects in a new medium that were executed by people with little or no training, and often executed in an explosive or emotional way after wanting to do something similar for years.

Dr. Rolando Jose ‘s Doraemon Mosaic seems to have been such a passion project, and my first mosaic definitely was one.

Well, artist Kevin Pawlowski just emailed us some pictures of his second mosaic, and it is a doozy to say the least. Kevin’s The San Damiano Crucifix Mosaic is a large sculptural mosaic icon, and it is even more impressive than his first mosaic Be Not Afraid, which is a skillful and original interpretation of one of Gustav Dore‘s classic Bible engravings, Jesus Walking on the Sea.

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Quinn's Coop Rooster Mosaic pre-grout by artist Linda Lawton.

Color Constraints and Background Colors

Many artists like to choose background colors after the central figures have been tiled.

It is best to tile from the middle and work toward the edges to avoid awkward spacing between at key focal points, but you should not leave the color choices for the background as a complete afterthought.

Nor should you have firm color requirement for the background and tile the central figures without placing that color next to them just to see if they work.

Avoid “painting yourself into a corner” by doing a lot of cutting and mounting without thinking ahead.

“Thinking ahead” can be as simple as placing a single tile next to what you are tiling now to see if it has adequate contrast.

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