Monthly Archives: June 2019

Big Falls Stained Glass Mosaic Landscape

Use of Natural Stone in Landscape Mosaics

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I recently saw some stained-glass mosaics by artist Debra D’Souza, and they reaffirmed my belief in the mosaic business and actually cheered me up after a day of work poop. To explain why Debra’s mosaics make me so happy, I first have to explain a problem that really haunts me as a retailer of arts and craft supplies.

Flame Lake Stained Glass Mosaic Landscape
Flame Lake Stained Glass Mosaic Landscape by artist Debra D’Suza 24 x36 in

Not Rocks with Fake Skins

Most of the stones you see used in mosaic artwork are rounded river rocks, which is fine when they are unique stones collected from beaches and hikes and real life, but all too often they are the epoxy-coated or urethane-coated river rocks of the same type of stone from the same factory no matter where you buy them, which is really sad to me.

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Mosaic Pet Portrait Cali

Cartoon Patterns and Mosaic Pet Portraits

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The pattern for a mosaic is sometimes referred to as a cartoon because it is just an outline with no attempt at shading or color. The purpose of the cartoon is merely to map out the major work lines and color fields, and so the cartoon is relatively simple, even for photorealistic work. The texture and color mottling and finer details come from the tile.

Mosaic Pet Portrait Cali WIP2
Mosaic Pet Portrait Cali work-in-progress 2 by artist Donna Van Hooser

Simplified Yet Exact

The cartoon is not required to have all the lines needed to create an image, but what lines it does have should be exact. For example, you shouldn’t try to draw all the flecks of color in the iris of an eye, but you should have that iris drawn exactly where it goes.

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Pelicans mosaic by artists Carl and Sandra Bryant.

Alternatives to Marble Mosaic

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Many people are drawn to the idea of making mosaics from marble and stone, mostly because that was the material used by the ancient Romans but also because they would like to make a mosaic from natural materials in subdued colors.

Nevertheless, as soon as these people start trying to source materials, they quickly become frustrated with how limited the color palette is in marble mosaic, and they usually end up mixing the stone with smalti or ceramic or porcelain tiles, or they use dyed stone or synthetic stone for certain colors.

In either case, the mosaic usually doesn’t have the look and feel that was desired, which is really a tragedy because superior results could have been more easily and cheaply accomplished had the artist used all glass and merely restricted the color palette to more subtle hues.

Before you convince yourself you need to work in stone, spend some time looking at glass mosaics made from subdued color pallets.

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