Take a look at Frederic’s mosaic eye portraits to get an idea what you will make in this course, and we think you will be excited too. This course will definitely improve your mosaic skills regardless of what style you work in. Continue reading
Artist Frederic Lecut’s “Pan’s Head” mosaic has a style that matches its theme, and it is a great example of using classical elements in a contemporary mosaic.
The face of the “goat-footed god of Attica” or Pan is the subject of Lecut’s mosaic, and consequently the artist incorporates several aspects of ancient Greek mosaic in his design. Continue reading
Artist Frederic Lecut’s Opus Pixellatum Technique is a tool for rapidly creating original photorealistic mosaics and incorporating improvised elements.
Artist Frederic Lecut
Mosaic Artist Frederic Lecut creates striking portraits of people’s eyes, mosaics that are photorealistic in execution and powerful as compositions because they are cropped closely and look almost like eyes seen in a Niqab. Continue reading
If you work with stained glass over time you can end up with buckets full of scrap. When the pieces start getting too small and irregular, or if there’s just too much of it, you can used them in a stepping stone. This tutorial demonstrates how to make a stepping stone with an abstract pattern. You can also use tiles instead of stained glass scraps.
Ceramic tile can be used for outdoor mosaic patio tables provided you live someplace warm year round, but otherwise glass tile should be used because it is impervious to moisture and freeze damage. There are other reasons to use glass tile explained later in this article.
Concrete Patio Table Set
Artist Naomi Haas recently completed a mosaic patio table set that included concrete benches, and I really liked it for several reasons. For starters, the table base and benches she had were sturdy and stable and appropriate for an outdoor mosaic (and not wood or rusted light-gauge metal or some of the other junk people email us about using).
I also like the color scheme. Naomi colored the un-mosaiced surfaces black and used black grout to make the bright festive colors of the Mexican Talavera tile stand out. To make the concrete black, Naomi used a product called Flex Seal, but black spray paint could have been used. Another thing that draws me to this project is that Naomi made a different design for each bench instead of making them the same.
Pricing art is difficult because it is subjective, and pricing mosaic artwork is even more problematic due to the extra labor required to make it, but there is a structured way to determine a hard number, even if the buyer is a friend or relative.
Recently artist Valri Castleman emailed my a photo of her untitled mosaic shown above and asked for my advice on how to price it for a family member. Normally I am not drawn to mosaics made from triangular pieces, but I like Valri’s mosaic and think it is worth sharing for several reason. For starters, there is some sophisticated “figure-ground-reversal” going on that reminds me of Picasso and the Cubists. There is also some interesting use of grout lines to outline figures. Lastly, the mosaic is a good case study for how to price your art for sale to a friend.
Interpreting a work of art in a different medium is a matter of capturing the essence of the original without being an exact copy, although most people would prefer to see a copy that had no departures than something that was unrecognizable. With that in mind, the first step in creating an interpretation of an existing work is to identify what features are most important about it, what things define it in essence. It depends on the work of art. It isn’t always a particular detail or figure. It isn’t always the colors.
A Case Study
Recently, artist Jackie Iglehart created a quilt panel interpretation of my painting “Cypress Bayou” and won this year’s quilting challenge at the Valley Forge Homestead Quilters Guild in King of Prussia, Pennsylvania. I was blown away by the results. Jackie’s quilt panel captures the look and feel of my painting to an extent that I doubted was possible in that medium. Continue reading
Mosaic artwork can include rough textural elements that would be impractical in architectural tiling such as a shower wall, which needs to be smooth for cleaning and safety. Note that smooth does not mean flat. You can have textural elements in an architectural surface, but they need to be rounded and not jagged. (Cheese-grater walls in the shower or even your hallway would be problematic.)
For the past few months or more, I have been meaning to create a mosaic which uses cut pieces of tile mounted on their side so that I could demonstrate how a “hand-cut” smalti look and feel could be created with ordinary molded mosaic tile, which is significantly cheaper than smalti. But work and other art projects kept getting in the way, until finally one day out of the blue artist Dee Ruff emails me some pictures of her work, and they illustrate exactly what I had in mind!
Mixed Media and Texture
Dee’s “In the Garden” mosaic really caught my eye because I have always been drawn to mixed-media mosaics and mosaics where the work lines of the background interact with figurative elements in the foreground. This mosaic has both. Plus as a subtle color wash gradient in the background. Plus a hand-cleaved texture made from molded recycled glass tile that was cut and mounted on edge. (It was almost as if this mosaic were made to order for me. Imagine my surprise when Dee emailed it to me.)
Dee says “in the Garden” is one of her favorite pieces. Note that the flowers are made from ceramic figures by Atlanta-based artist Martha Coursey, who does amazing work. I like how the smooth glazed ceramic pieces contrast with the rough cleaved texture of the sky.
Backers, Substrates, and Mounting
Dee makes her panels from recycled expanded polystyrene (Styrofoam) covered in alkali-resistant fiberglass mesh and multiple coats of thinset mortar colored with concrete dye. The “hollow” core makes the substrates lightweight, and the skin of thinset and mesh makes them strong and tough (impact resistant). Dee says that she builds the mounting hardware directly into the skin so that it is anchored by layers of thinset reinforced by fiberglass mesh.
Dee uses the Wedi brand of hardware, but brass picture hanging rings sold by building material stores should work, provided you use the heavier gauges. Note that no mounting hardware will be strong enough if you hang them on a nail in drywall, which is weak and fails easily. Nails or screws for mosaics and paintings of any size should go through the drywall and into the stud inside the wall (use a stud finder) or in the crown molding at the top of the wall with a hooked rod hanging down.
Note the safest and most robust mounting system is probably the French cleat. See Natalija’s Instructions for French Cleat Mounting.
More Of Dee Ruff’s Art
Dee Ruff currently has work available at the The Mosaic Love Gallery in Jonesborough, Tennessee. Dee’s website is Black Cat Mosaics, and she has some interesting multimedia mosaics and collaborations online there.
Patios are excellent locations for mosaics, but the patio floor itself is not as good a surface for a mosaic as a surrounding wall or brick planter would be. The main reason is simple: metal patio furniture will crack and crush glass tile, and glass is the preferred material because it is frost proof, economical, and comes in many colors. Also, the floor of the patio is not as visible as a nearby vertical surface is likely to be, especially when furniture, grills, and the usual patio accessories are present.
Recently artist Lisa Jones emailed me some photos of her patio mosaic, and I was taken with it in spite of my preference for designs that use free-form placement of pieces of tile instead of gridded patterns of whole tile.
Small mosaic plaques can be mounted on a wall with a the same type of hangers and wires used for paintings provided the nail on which it hangs is mounted in a stud inside the wall, and even then redundant wires and fasteners are recommended. However, larger mosaics need more robust mounting hardware. The “french cleat” is a type of wall mounting that can be used to securely affix heavy mirrors, cabinets or artwork to a wall. In addition to its strength, the french cleat also allows mosaic art to be mounted flush against the wall and makes leveling it easy.
If you built a frame on the back of your mosaic as described in this tutorial, then french cleat molding is a good hanging option.