Recently, artist Jackye Mills emailed me about a problem she was having with her first mosaic project, and it really caused me a lot of angst because the artwork was a strong design that was otherwise well executed. I hated the thought that a first-time mosaicist could do such a good job on something so ambitious only to lose the project due to a technical issue. Continue reading
Artist Susan Watson created a stained glass and stone mosaic for her studio exterior wall and chose the background color and material using a process of trial and elimination.
Mixed-media mosaic artists often choose backgrounds by laying tile on the pattern or backer after the figures have been tiled, as I explained in my recent article How To Choose Mosaic Background Colors and Patterns.
Background colors for mosaics should be chosen based on how well they contrast with the colors used in figures. For this reason, most mosaic artists will tile their figures first and then choose their background colors by a trial-and-error process of placing tiles on the mosaic backer and just seeing how they look.
The same approach can be used to decide what pattern of placement (andamento) you should use for the background. You look at what you have in the figures in the foreground and choose a background pattern that is compatible. Continue reading
Many people report having trouble cutting vitreous glass mosaic tile reliably because of the embossed patterns on the back sides, which can interfere with the blades of the mosaic glass cutter, but if you take simple steps to minimize interference and rotation, it can be done.
What I mean by interference is when the blade slips down into a valley between two ridges instead of staying positioned in the desired line of the cut. Continue reading
Artist Jason Oakley made this great pixellated mosaic of Mario and some of the other characters in the Mario games. I like how the gridded pattern of tiles looks exactly like low-resolution pixels such as used in vintage video games.
Frederic Lecut’s “Opus Pixellatum” Mosaic Class was a lot of fun, and I think the mosaics were very successful, especially with the improvised tweaking and colorization that students did in phase two of the process. In the photo above, instructor Frederic Lecut kneels in front of the class.
When people are in position at the end of the video, here is who you are looking at from left to right:
- Robbintina Harrison holding her adorable granddaughter’s portrait.
- Joanne Remppel holding her rescue dog’s portrait.
- Kate Carroll holding her friend Martha Barton’s portrait.
- Daniel Adams holding his self portrait.
- Amy Galbavy holding her self portrait.
- Apryl Howard holding her self portrait.
- Daniel Baxley holding his self portrait.
- Stephanie Cosenza holding her son Danny’s portrait.
- Sandra Atherton holding her self portrait.
Natalija improvised this picture of a lighthouse using the Colored Mirror Tiles to show that they can be used to render an image. We added these tiles last year, but I haven’t had time to use them in anything.
In Praise of Colored Mirror Tiles
I can say that the Colored Mirror Tile ranks the highest of all our product lines in terms of being “pretty shiny things” in a rainbow of colors. (Sure the 24kt Gold Mosaic Glass is dazzling, but that is only one color, and things like beads and gemstones are more accents than they are materials for rendering.) Continue reading
Mosaic Artist Michael Kruzich has a body of work worth taking a look at, especially if you have any doubts about how well dramatic lighting can be rendered in mosaic portraiture and other figurative mosaic artwork.
But that’s not all that you need to see of his work. Michael has also made some mosaic-clad figurative sculpture that is as interesting in it’s abstract geometrical textural elements as it is in it verisimilitude –plus he has some stylized, classical and medieval interpretations. These stylized pieces are as eye catching as Michael’s naturalistic work. The reason is simple: All of Kruzich’s mosaics make great use of contrasting light and dark elements in addition to using strong pairs of complementary colors. Continue reading
Figurative mosaic art (mosaic pictures) can be used as an element of interior design in the same way that paintings are used. The only difference is that a stronger, more secure way of mounting the artwork to the wall is needed.
Natalija wrote an article about using a French cleat mounting system to securely hang a mosaic if you need more information about how to do that, and I discuss some concerns about using picture wire toward the end of this article, but first I want to talk about aesthetic considerations and how to make sure a mosaic looks right in a room. Continue reading
David Armstrong has created some inspiring mosaic portraits, and he did it using whole tiles arranged in a grid instead of irregular pieces cut and fit as needed. Normally, I dislike mosaic designs based on grids because they lack the extra visual element provided by tile arrangement (andamento), but David’s work has tons of visual interest that more than compensates for this. Continue reading