Putting a mosaic on a metal mailbox is problematic because either the metal is painted and you risk the mosaic not adhering well, or because the the metal is bare, and then the thinset mortar is likely to oxidize (rust) the metal over the years.
Note: My neighbor put a pique assiette mosaic on her galvanized steel mailbox, and it has lasted for years with no obvious signs of rusting. It can be done.
Fortunately, there is an alternative that makes more sense for mosaic, and that is to build a column of field stones or bricks or cinder blocks and then plaster over that with mortar and put the mosaic on the smoothed surface. In this design, the mailbox can be mounted on top of the column or built into a niche in the column near the top.
Artist Linda Robertson recently emailed me some pictures of her mosaic mailbox, and it is a good example of an alternative mosaic mailbox that avoids putting the mosaic on the metal itself. Continue reading
I have often used a small screwdriver to pry up tiles when I wanted to change some detail in a mosaic, but in all of those cases, the mosaic had a grout gap, and it was possible to knock an individual tile out or shatter it without damaging its neighbors, at least most of the time.
But what if you can’t afford to damage surrounding tiles or you have a mosaic with no grout gap? Is it even possible to get tiles up? The answer is yes, and the method involves a wet cotton swab, a dental pick, and a sharpened chopstick.
Artist Megan Heazlewood makes strong use of contrasting colors in her iconic mosaics, and I think her work is inspiring for that reason.
Egyptian Musicians Contemporary Mosaic by Artist Megan Heazlewood
There are several contrasting color pairs in Megan’s mosaic of ancient Egyptian musicians: the teal and pink of the lotus flowers, the blue and gold, the white robes and the different skin tones, the blues and greens versus the burnt orange.
If you search Google Images for “kitchen backsplash mosaics,” you can see some good work, but you will also see way too many photos of beige and gray tile work that really doesn’t help too much in the way of inspiration, especially if you are wanting to make an original figurative mosaic or use colors other than the monotonous earth tones that dominate the coverings industry.
Artist Heather Speers emailed me some photos of her recent kitchen backsplash mosaic, and it is a solid example of how figurative mosaics rendered in brighter colors can work for this location. Continue reading
One of the things I always notice in cities like New York or San Francisco are the older buildings that still have entrance ways and bathrooms with mosaics made from whole porcelain tile. These mosaics are very simple in design, sometimes merely a border around plain tile, or maybe a simple repeating geometric pattern. If there are objects or figures, they are simple stylized abstract motifs almost like those seen in Persian carpets.
Rebecca Stoops recently emailed us some photos of her bathroom mosaic project, and the design could be described as a re-imaging of those classic geometric designs, only executed in intense colors of vitreous glass tile instead of porcelain.
I have written many times about black grout and why I recommend it for making tile colors look more intense, but I don’t think I have ever taken the time to talk about using black tile for the same reason.
Artist Carol Jasin recently emailed me some photos of her work, and she makes great use of black tile to make a her mosaics look more colorful and more substantial. Continue reading
Angela made a mosaic picture frame using our irregular glazed ceramic tile and left the sides of the frame uncovered. She also nested the angular shapes to created an abstract pattern without cutting any of the tiles to make them fit.
The unfinished side edges of Angela’s mosaic look particularly neat because the sides of the ceramic tile is straight and not beveled like the sides of vitreous glass mosaic tile, which could still be used if you didn’t mind an edge that was a little rougher. Continue reading
Why break up ceramic figurines to use the pieces in mosaic artwork when you can use the whole figurine? Artist Laurie Gilson emailed me some photos of her recent work, and they are great examples of how you can use ceramic figurines in your mosaics and still use standard elements such as tile arranged in rows. Continue reading
Ana Bonnin emailed us some pictures of her recent entranceway mosaic, and I wanted to share these with our readers. Ana’s pictures also made me remember that I needed to summarize what I know about best practices for making porch mosaics last longer.
Ana’s mosaic is the family emblem that she and her husband designed to represent the parents (symbolized by oak leaves) protecting their seed. My favorite photo includes the doodlebug in question, with a disguise added digitally by Mommy. Continue reading
Artist Marilyn Keating has some mosaic lawn sculptures of animals that are very much worth seeing, especially if you are considering making some yourself. Rather than trying to make her animals as naturalistic as possible, Marilyn wisely chose to make her animals stylized and whimsical, almost like three-dimensional cartoons come to life.
I used the word “wisely” because this style of art is more enjoyable to make and to see. We live in an age of mass production and machine precision, and so exact replicas of life often look artificial and devoid of humanity and art. On the other hand, Marilyn’s creatures are exuberant and “real” in a way that “serious” reproductions of real life aren’t.