Category Archives: Inspiration

Inspirational material and ideas for mosaic art.

Bas-relief Mosaic Sign

Bas-Relief Plaques and Mosaic Stones

Artist Sandra Arkin’s bas-relief mosaic sign “Art Can’t Hurt You” makes me laugh.

Anyone who has ever made a glass mosaic with tiny details has anointed their work multiple times with blood. Am I right, or am I right?

Sandra says doesn’t draw or make representations of physical objects in her heart usually, but she is pretty adept at making patterns with her printer when she does want an actual image.

Continue reading
Abstract Mosaic-Covered River Stones by Barbara Stutts

Abstract Mosaics As “Quilt” Elements

Artist Barbara Stutts recently emailed me some photos of her abstract mosaic stepping stones and mosaic-covered river stones, and they resonated with me for several reasons.

Barbara says she is relatively new to mosaic, but her abstract mosaics are worth sharing because they are well executed and serve as good teaching examples.

In this case, one of the lessons needing a teaching example is what beautiful art you can make without drawing or rending an image in any way.

Abstract Mosaic Plaque p1 by Barbara Stutts
Abstract Mosaic Stepping Stone p1 by Barbara Stutts

Mosaic stepping stones such as these can be made directly on concrete stepping stones using thinset mortar, and you can purchase both products at a local building material store.

If you need something lighter and thinner for a mosaic that will be mounted vertically on an outdoor wall, you could use a large porcelain floor tile in either 12 inch or 18 inch size as the backer.

Continue reading
Mosaic with original Tanjiro from the Japanese manga series Demon Slayer: Kimetsu no Yaiba by Koyoharu Gotouge.

Mosaic vs Mixed-Media Artwork

The Four Seasons mosaic by Marc Chagall in Chicago was originally installed outdoors in the 1970s but has since had a glass canopy installed over the top to protect it from the elements.

Part of the reason for the canopy is Chicago’s harsh freezing weather, which is hard on all mosaics, but another reason for the canopy is that Chagall painted additional details on top of the tile in places where his artist’s eye saw that that something more was needed.

Everything (except being boring) might be legal in visual art, but in mosaic, not so much. When you are making something to withstand the elements or to function as an architectural surface, you really have no choice but to use best practices and standard methods and materials. Otherwise, the artwork won’t last.

Continue reading
Cleaved-Glass Mosaics, warm light photo

Using Class Mosaics For Public Art Project

I recommend that schools wanting to make a mosaic mural for their school consider “crazy quilt” displays that are assembled from individual mosaic projects all on the same size backer, say anywhere from 6×6 inches or 12×12 inches.

This allows each student a real art experience (making their own design) instead of just being a worker bee on a group project, which runs the risk of teaching mostly the craft/shop aspect of the process while being too light on individual expression/design.

A good compromise is to have the class work on a group project to “learn by doing” under supervision and them have them do small individual projects afterward. These individual mosaics are then arranged as a “crazy quilt” frame around the central group project.

It is important that any school’s visual arts class or art project actually be about students doing art (individual design and expression). Don’t lose sight of that in your school’s project.

Pre-Glue Exercise

When the students start gluing tile, you will be pre-occupied with showing inexperienced people how to glue without making a mess and won’t have much bandwidth for making sure everyone is working consistently in terms of spacing.

Showing the importance of small consistent grout gaps and how to arrange tile can be done before glue is ever involved.

Continue reading
Frida Kahlo mosaic portrait by Denise Herzog detail 1

Frida Kahlo Mosaic

Artist Denise Cook’s mosaic portrait of Frida Kahlo is a great teaching example. It illustrates several important tips for making better mosaic artwork. The background and skin tones are made more visually interesting via variegation of shade and hue respectively. There is also a satisfying andamento in the background, and the use of found objects to represent pictorial elements is done seamlessly.

Visual Interest In Backgrounds

Portraits often have simple “monochromatic” backgrounds so that the central figure is more iconic.

In painting, it is easy to avoid boring uniformity in a nominally “monochrome” color field merely by being a little lazy. If the paint isn’t overmixed to perfect uniformity on the palette, every brushstroke can’t help but have a slightly different shade or hue or both.

In mosaic, you can achieve similar results by using 2 or 3 different tints of the same or similar hue. That is what Denise did in her Frida Kahlo portrait.

Continue reading
Mixed-Media Mosaic Plaque by Mollie Seymour

Mixed-Media Mosaic as Bas-Relief Sculpture

Artist Mollie Seymour’s mosaic plaque is a depiction of a small pueblo of cliff dwellings in a rugged canyon with water and sky rendered in bold andamento. Mollie made this for the mosaic for the courtyard of a condominium. I wanted to share it because it is a good example of using mixed-media mosaic to make a bas-relief sculpture.

The Treachery of Images by Belgian surrealist painter René Magritte, 1929.
The Treachery of Images by Belgian surrealist painter RenĂ© Magritte, 1929. “This Is Not A Pipe.”

MMM: Where a Pipe Really Is a Pipe

Mixed-media mosaic (MMM) is a medium of art where elements of a composition can actually be the item being “depicted.” For example, a mosaic face could be smoking a real pipe. The artist can use a mix of found objects and elements rendered in conventional tile to produce results that engage the mind as both image and symbol all at once.

Continue reading
Mosaic Lazy Susan By Kim Wilkowich.

Mosaic Lazy Susan Teaching Example

Artist Kim Wilkowich emailed me a picture of the mosaic lazy susan she recently completed, and I think any artist would be justifiably proud to have made it merely because it is so well-balanced and harmonious in multiple ways. It is a great teaching example for several fundamentals of art and composition.

Looking for instructions for making your own mosaic on a wooden lazy susan? My previous blog article uses a coaster for demonstrating how to lay up a complex design over a pattern and to be able to edit the design before you actually glue it to the wood. For a lazy susan, you would use the lazy susan to trace a large circle on some butcher paper or pieces of printer paper taped together. I would not try to wrap a circular board with contact paper. Remove paints or sealants from the wood before gluing tiles to it.

Why does this mosaic look like it could have only been made by an experienced competent artist if not a professional? Of course there is the tight execution and consistent grout gap and strong iconic designs, but for me what sets it apart more than anything else is the consistency between the different panel designs.

  • Similar levels of complexity and tesserae size between panels.
  • Colors and design elements distributed between panels.
  • Harmony of color intensity.
  • Balance amount of cool colors and warm colors.
  • Pairs of color wheel opposites used throughout the mosaic.
Mosaic Lazy Susan has similar level of complexity between panel designs.
Mosaic Lazy Susan has similar level of complexity between panel designs, even the leaves of the tree and the composite panel design at the bottom have no piece smaller than a piece used in the other iconic panels.
Continue reading
Porch Mosaics series by art therapist Ellis Eisener, photo collage

Art Therapy Projects

Art Therapist Ellis Eisner sent me some photos of her client’s mosaics and her own work, and I wanted to share them with you and use them to illustrate several points.

Mosaic the Gateway Medium

Mosaic holds a special place in art education and art therapy in my opinion.

Often all that is required to get that process started is let people play with some tiles and a backer.

People who say they have no artistic ability will suddenly find that they are sliding tiles around to form simple pictures and shapes and designs.

Sorting a pile of small colorful objects is even more elemental than doodling with pen. It’s something animals do.

Handling objects is less abstract than drawing. It matters that the tiles are objects with weight and not paper-thin, not merely 2-D shapes.

Continue reading
Red Light District Amsterdam mosaic by Terry Broderick

Stalking Van Gogh in Mosaic

Artist Terry Broderick‘s latest mosaic is titled “Red Light District / Amsterdam,” and it is an interesting follow up to his Pittsburgh Cityscape mosaic, which is equally impressive. I feel like both mosaics could be part of a show called “Stalking Van Gogh in Mosaic.”

I like the Amsterdam mosaic for several reasons: It’s a good teaching example of perspective and vanishing point and creating a sense of depth. It’s a very fine job of capturing the “temperature of light” and the look of things at night and how you can feel that it is night in the scene.

Continue reading
Eastern Screech Owl Mosaic by artist Linda Lawton

Owl Mosaics and The Importance of Andamento

Linda Lawton emailed me some pics of her recent owl mosaics, and one of them had an issue that made it a good teaching example about the importance of andamento. That mosaic also became a case study for how to mosaic on top of part of an existing mosaic if you want to rework a detail.

Three Owl Mosaics by artist Linda Lawton. Great Horned Owl, Eastern Screech Owl, Barn Owl
Three Owl Mosaics by artist Linda Lawton. Great Horned Owl, Eastern Screech Owl, Barn Owl

Since Linda is serious about her art and is always working to improve it, I felt like I could be honest with her in a way I couldn’t when critiquing the artwork of “someone I didn’t know.”

Over the past few years, Linda had emailed me about several different mosaics where she had ripped up tiles and re-executed details she wasn’t happy with. Some people have the true artist’s obsession with art and making it better, and it shows no matter the age or skill level.

Continue reading