Artist Betty Ackerman recently used our fire-polished millefiori (the Mud-Turtle Mosaic brand) and stained glass to make a circular mosaic in the form of a rainbow-colored tree of life with a column of chakras spiraling inward on the trunk. Betty calls her mosaic “Chakra Tree of Life.” The first mosaics I ever made were found-object “mandalas” in the form of a tree of life in an oval, and so Betty’s design spoke to me.
I wanted to share this mosaic because Betty did a good job at maintaining adequate contrast between the tree and the background and between the branches and the leaves in spite of the color transition in the design. It would have been all too easy for the figurative element of the tree to become lost with this much “visual interest” going on in every square inch, and so the mosaic is worth studying.
Artist Melanie Squires recently completed a stained-glass mosaic table, and I wanted to show it off for several reasons, and not just because it looks so good. There are some materials and methods to discuss, and there is the use of impressionism for the koi, which I thought was particularly effective.
Melanie made the table from a metal patio table with a glass top and attached the stained glass to it using silicone adhesive.
Warning: If you use a glass patio table for a mosaic, make sure the glass is thick enough to support the weight of the mosaic. It is possible to find glass patio tables at thrift shops where the original thick glass has broken and been replaced with something thinner. It is also possible to come across cheaply-made tables with thin glass, especially end tables and coffee tables.
Never use a table for an outdoor mosaic merely because that is the table you happen to have. Before you invest time, money, and materials, make sure it will last.
Recently artist Bernie Taylor emailed me some pictures of his mosaic lawn sculptures including some concrete bird baths and benches, and he has an impressive body of work. Bernie’s work is also a great example of how you can buy factory-made concrete sculptures and make them unique works of art by covering them with mosaic.
Ceramic or Glass?
Bernie used glazed ceramic tile for his sculptures in Florida, but keep in mind that ceramic tile is vulnerable to freeze cracking while glass tile isn’t (because it is non-porous). Glass tile is also more affordable, easier to cut, and more widely available in more colors.
Glass tile is also smaller and thus easier to fit to curved surfaces. I am very impressed that Bernie was able to tile the complex curves of his sculptures and consistently do such a good job with it. Continue reading
Artist RJ Spurr recently completed two mosaic tables for his home, and I wanted to share them because the level of craft work is excellent, and the designs are integrated with the color schemes of rooms where they were installed.
The great thing about dry indoor mosaics is that you can use wood as a base, and that means you can put mosaics on wooden tables. Thrift shops, yard sales, and unfinished furniture stores are great sources for tables, but you can also breath new life into old tables you already have on hand. Continue reading
Mosaic furniture can be made from glass mosaic tile more easily and more affordably than it can be made from pieces cut from antique china and other patterned dinnerware. It’s also much more colorful! The choices available range from bright rainbow colors to soft pastels to different color families, earth tones, black and white.
You can even render portraits and landscapes on things like headboards because you have a complete rendering tool.
When you use glass tile instead of whatever you could scrounge up from months of yard sales and thrift shops, you start with a lot of horsepower on your side. Continue reading
Repeating simple designs or motifs is an effective way to make iconic compositions that catch the eye, and you can take this technique to its extreme to produce abstract art where the pattern itself becomes the subject of the art and not just a tool for rendering figures.
Karla Conmy’s River Meanders mosaic is a good example of repeating motifs taken to the level of abstraction, and Sally Scardino’s Hummingbird mosaic is a good example of using a repeated motif to make a figurative composition stronger. Continue reading
Mosaic Art Supply tries to hire only professional artists from a working-class background, which means people who pursued their art because they were passionate about it and not merely because they had inherited some form of income. This means our workers have various skills and intellectual interests that inform their artwork and make them better employees all around, especially when it comes to advising customers on how to make their art safer or more durable or more interesting.
Living Melody Collective five female artists raising awareness in Atlanta.
One of our amazing employees Angela Bortone has created a multimedia mural for the National Center for Civil and Human Rights. Angela did this work as part of the Living Melody Art Collective, who are five female artists working in Atlanta to raise awareness of social issues through performance and visual art. I am proud to say that the work of creating the mural was done at the Mosaic Art Supply warehouse. Continue reading
Historically, mosaic icons were made with traditional materials like smalti, marble, and gold leaf glass. Those traditional mosaic materials might be preferred if you are trying to make a reproduction that looks historically accurate, but they are more expensive and more difficult to work with.
Do You Need Smalti?
If you have any latitude in choosing your materials, remember that it is possible to make striking and realistic images using ordinary vitreous glass mosaic tile, which is both affordable and easy to work with.
Vitreous is the same thickness as the gold leaf glass we sell, and so you could still incorporate gold in your icon if you decided to nix the smalti and stone. In fact, it would be easier to use our gold leaf glass with vitreous than with the thicker smalti and stone.
You can make mosaic street numbers and signs using a grid, but mosaics made from irregular shapes of non-gridded tesserae are more interesting, especially if you use concentric andamento for the background surrounding the figures.
Sara Sommers emailed us some pictures of her mosaic street number plaque, and it is made from cut pieces of tile in strongly contrasting colors. It is definitely worth checking out if you are thinking of making a piece with large mosaic letters or numerals.
For starters, Sara uses strong color contrast between her numerals and background, which is critical for making eye-catching art. She also uses multiple related colors and variegated patterns instead of solid monochromatic color fields. Continue reading