Rolando Jose made a mosaic of his favorite cartoon character Doraemon using broken pieces of glazed ceramic tile obtained locally in Panama and our black 12mm recycled glass tile for outlining. Rolando Jose made a video of creating and installing the mosaic and used Doraemon’s theme song for the soundtrack. Doraemon is a Japanese manga character.The Birth of (Rolando Jose’s) Doraemon
This mosaic seems to have been what I call a “passion project” for Dr. Rolando Jose Rodríguez De León, who is a media and communications professor specializing in animation at the University of Panama. Like many passion projects, Rolando Jose’s results are impressive in spite of the lack of experience.Passion Projects
“Passion project” is a term I use to describe one of these art projects where people have spent years or most of their lives thinking that one day they would finally make a mosaic mural or a sew a quilt or do some other big project in a medium of art they have never done before. Usually what happens is one day they can’t put it off any longer, and suddenly they have started the project. For this reason, there usually isn’t a lot of preliminary research beyond finding basic tools and methods, but any lack of knowledge is more than compensated by the artist’s willingness to figure things out as they go along and experiment as needed.
Many times these new mosaic artists work without knowing all the basics or the most efficient ways of doing things, but they don’t fret if things take much more time and effort than what they had originally anticipated, and they often work around difficulties and setbacks that would discourage a more experienced artist. Their passion for what they are doing bears them up and keeps them happily moving forward.
I love it when people email me pictures of their passion projects. It reaffirms my faith in the mosaic supply business and humanity in general!Humidity Warps Plywood
Rolando Jose mounted his mosaic on a sheet of marine plywood so that it could be taken with them if they move. Hardiboard and concrete backer board are preferred outdoors and in wet locations. Humidity makes plywood warp and delaminate. If you do use plywood outdoors, use marine plywood and paint the back side and edges with three coats of exterior paint (oil-based preferred). Don’t paint or seal the face of the plywood with anything except the same type glue you will be using because you want the tile attached directly to the backer. The finished grouted mosaic should be sealed with a tile and grout sealer from the building material store.Mosaic Doraemon in progress Should You Use Fiberglass Mesh?
Fiberglass mesh is used to lay up mosaic designs as sheets of tile in advance of the final installation. If you are mounting the mosaic on a panel or table top, then you can skip the mesh and glue the tiles directly on the panel or table top. To do that, you first need to transfer the pattern directly to the surface, and that isn’t difficult. I wrote instructions for enlarging and transferring mosaic patterns using only a ruler.Mosaic Doraemon being outlined using 1/2-inch black glass mosaic tiles.
Rolando Jose laid his mosaic up on fiberglass mesh. To so this, he first taped his pattern to the work surface and covered it with clear plastic so that the mesh would not get glued to the pattern. Then it was just a process of outlining the image by gluing black tiles along the lines of his pattern and filing in the monochromatic color fields.The Right Tools for the Job The artist adding Doraemon’s blue tiles to the mesh using Weldbond Adhesive. Notice the sheet of cardboard used as an improvised cutting tray. We use shallow plastic dishpans for cutting trays. You can repurpose many common household items for use in the art studio, but specialty tools like tile nippers and marble files are indispensable. Grouting A Large Mosaic
We sell convenience-sized tubs of dry sanded grout for use in small indoor art projects. If you think you need more than one of these 2-pound containers, then you should be buying your grout at your local building material store. For large mosaics murals, you need to buy the 60-pound bags of grout. You can buy it much cheaper in these large bags, and you also save on shipping.
If your mural is large enough to require more than one large bag of grout, you should also consider buying a mixing paddle, the kind that fits in an electric drill. Even with a powered mixing paddle, it is still a lot of physical work to mix up that much grout.The Artist Grouting Mosaic Doraemon. Note the white haze that will be buffed off following the application of the grout. Make sure you press the grout down into the gaps and work it in thoroughly to ensure that no voids or bubbles are left at the bottom of the gaps.
Artist and MAS employee Natalija Moss has recently completed a series of mosaics made from stained glass, and they are definitely worth seeing and discussing for several reasons. Natalija’s other artwork and video game plugins can be seen at her Lady Natalya website.“Erza” Stained Glass Mosaic by artist and MAS employee Natalija Moss. Note how the dark charcoal-colored grout line mimics the lead channel soldered joints of stained glass artwork. This piece is technically a mosaic (it is grouted “tile” on an opaque background), but it is aesthetically stained glass in terms of the sizes of the individual pieces of glass and how they are used to render details.
Stained glass can be used in mosaic artwork in two different ways. The stained glass can be cut up into small tesserae (pieces) just like glass mosaic tile in a typical mosaic approach, or it can be used in larger pieces similar to how it is used in stained glass artwork. This latter approach preserves the large swirls of color which cutting into smaller pieces tends to break up, and this allows “the glass to do the work” as stained glass artists often say as a maxim. What they mean by that expression is allowing the swirls in the stained glass to create visual interest and suggest details such as ripples in water instead of rendering each ripple individually as a separate piece of glass.
I tend to think of mosaic artwork in terms of the traditional mosaic approach and cut any stained glass I use into tiny tiles, but I was impressed by how successful Natalija’s mosaics were and how conspicuously different they were from my preconceptions.
Compare Natalija’s “Erza” mosaic to Doug and Carly’s “Van Gogh Self Portrait” mosaic. Notice how the flowing andamento so crucial to the the Van Gogh mosaic is COMPLETELY absent in Natalija’s work.“The Major” Stained Glass Mosaic Artwork by Natalija Moss. Note the complete absence of flowing andamento (arrangement of tile in concentric rows to suggest motion) which is normally so crucial to mosaic art
On reflection, I can see that Natalija’s use of stained glass in larger pieces instead of many small tesserae is merely stained glass artwork as stained glass artwork is typically done, but there are two reasons that Natalija’s work still stands out. First, she didn’t give up the stained glass convention of larger piece sizes merely because she was mounting on an opaque background to make a mosaic.
The second reason Natalija’s work caught my notice was the freshness of her themes/subjects. As a rule, stained glass artwork tends to use some of the most cliche designs to be found in art and crafts marketing (which is saying quite a bit), so Natalija’s use of subjects from Japanimation is fairly novel for that medium. I think that grabbed my attention as much as the absence of andamento.“Penguins” Stained Glass Mosaics by Natalija Moss demonstrate that it is possible to be cute without being saccharine sweet. Note how the background colors are warm and appealing instead of the cold blues that might be more naturally expected. To paraphrase the American painter James McNeill Whistler, “Nature must be corrected.” This is an important point to remember when designing compositions and when selecting colors. You can move a tree to the side to frame a scene. You can select a completely different background color quite easily when you aren’t attempting photographic realism. A Digression On The Failings of Stained Glass Retailers
It has been very easy for me to ignore stained glass artwork for the most part in the 13+ years I have been running Mosaic Art Supply because so much of it I came across by chance was so cliche and dated. The butterflies, bald eagles and tulips you see so much of now in stained glass catalogs appear to be the exact same patterns I saw 15 years ago and as a boy in the 1970’s.
I think the people who sell stained glass have done a disservice to their customers and to their own wallets by promoting their industry in such a tired way. Sure, there will always be people who want sappy stuff because they like sappy stuff or think it is easier to make, but I think that sort of approach tends to kill interest in the medium over time by not attracting younger people and people with more serious interests in art. This converging on the cliche by stained glass marketers has also meant that their patterns were more easily mass produced by countless Chinese competitors, which further destroys profit margins as everyone “races to the bottom” to compete solely on lowest price.
All of my product decisions at Mosaic Art Supply were made with one eye toward avoiding these traps, and this is why we have always avoided selling the mosaic craft kits we see on the market. I want to promote a serious interest in Art with a capital A because I think it is in the best interest of my industry, and because if I wanted to help distribute mass-produced junk, I could have stayed in the corporate world. In the sense of being something a person creates for deeply personal reasons, Art is one of the few intrinsically sacred things in a world where everything is increasingly profaned and commercialized. That is why the prevalence of cliche stained glass patterns has always struck me as being nothing less than a tragedy, a huge opportunity lost. Even if you prefer those particular subjects/themes, it should still strike you as conspicuously strange that you don’t often see alternatives to those themes being offered as patterns by stained glass retailers.