Artists can create a sense of motion in their mosaics by using concentric curved rows of tile, especially in the background around figures.
To me this use of andamento* is one of the most interesting aspects of mosaic, and it is an easy way for novices to make art that really engages the eye. I used this technique in the first mosaic I ever made, and when I used a photo of that mosaic to make our logo, I blacked out the figure of the fire bird to emphasize how much of the sense of motion was creation was created by the andamento in the background.
*The Joy of Shards mosaic website defines andamento as the visual flow and direction within a mosaic produced by the placement of rows of tesserae (pieces of tile).
In my recent blog article about black and white grout, I wrote the following tip for minimizing the width of grout gaps and working a little faster at the same time:
If tiles only touch at points but not along the length of their sides, then tiles can be positioned very closely and yet still be grouted. Consider working in this way instead of carefully cutting each tile to maintain a uniform grout gap.
I need to clarify what I meant by that.
Uniform Versus Consistent
Sometimes novice mosaicists will carefully cut each tile to maintain a perfectly uniform gap, which can be a little tedious, and worse yet, they make the gap a little wider than it should be because the artist does not have the experience to visualize what it will look like when grouted.
I think it is better to work a little less uniform, and to err on the side of being slightly narrow, even if that means tiles occasionally touch at a point or corner. By better, I mean more efficient, less tedious, and better looking.
All that being said, it is extremely important that the mosaic have the same type of grout gap in all regions. You want to be consistent in your style of gap. You do not want to have loosely executed in one place and tightly uniform in another, nor do you want wide gaps in one region and narrow gaps in another. Continue reading
You can increase visual interest in your mosaic by using variegated colors (multiple colors in patches or streaks) instead of monochromatic fields of only one color. This technique is particularly effective if your design is relatively simple and made from outlined areas of color like a coloring book or cartoon. Continue reading
Artist Risa Puno recently completed her interactive mosaic sculpture Common Ground for Rufus King Park in Jamaica Queens, NYC, and the project is a great example for discussing materials and methods for mosaic table tops.
No Plywood Backers Outdoors
Plywood is never an acceptable backer for outdoor mosaic table tops.
Humidity in outdoor air can cause plywood to swell, contract, and warp, and even if the displacement is too small to be noticed, it can still cause grout to crack and tiles to pop off. Once grout has hairline cracks, moisture can penetrate underneath, and then there isn’t any hope for the mosaic lasting after that happens.
If you have a wooden table that you want to mosaic for outdoors, then attach a piece of 1/4-inch concrete backer board over the top of the wood and mosaic on that.
Seal your finished outdoor mosaic with a tile and grout sealer and reseal it each fall. Silicone-based gout sealers are wipe-on-wipe-off and easy to apply. Most of the work is buffing off the excess so that the surfaces are slippery. Continue reading
Artist Susan Watson created a stained glass and stone mosaic for her studio exterior wall and chose the background color and material using a process of trial and elimination.
Mixed-media mosaic artists often choose backgrounds by laying tile on the pattern or backer after the figures have been tiled, as I explained in my recent article How To Choose Mosaic Background Colors and Patterns.
Black was considered for the background because black makes colors “pop” or seem more intense. Susan decided black was too dark and didn’t look good with the colors where the mosaic would be installed.
Natalija improvised this picture of a lighthouse using the Colored Mirror Tiles to show that they can be used to render an image. We added these tiles last year, but I haven’t had time to use them in anything.
In Praise of Colored Mirror Tiles
I can say that the Colored Mirror Tile ranks the highest of all our product lines in terms of being “pretty shiny things” in a rainbow of colors. (Sure the 24kt Gold Mosaic Glass is dazzling, but that is only one color, and things like beads and gemstones are more accents than they are materials for rendering.) Continue reading
Figurative mosaic art (mosaic pictures) can be used as an element of interior design in the same way that paintings are used. The only difference is that a stronger, more secure way of mounting the artwork to the wall is needed.
Natalija wrote an article about using a French cleat mounting system to securely hang a mosaic if you need more information about how to do that, and I discuss some concerns about using picture wire toward the end of this article, but first I want to talk about aesthetic considerations and how to make sure a mosaic looks right in a room. Continue reading
David Armstrong has created some inspiring mosaic portraits, and he did it using whole tiles arranged in a grid instead of irregular pieces cut and fit as needed. Normally, I dislike mosaic designs based on grids because they lack the extra visual element provided by tile arrangement (andamento), but David’s work has tons of visual interest that more than compensates for this. Continue reading
Artist Frederic Lecut’s “Pan’s Head” mosaic has a style that matches its theme, and it is a great example of using classical elements in a contemporary mosaic.
The face of the “goat-footed god of Attica” or Pan is the subject of Lecut’s mosaic, and consequently the artist incorporates several aspects of ancient Greek mosaic in his design. Continue reading
Artist Frederic Lecut’s Opus Pixellatum Technique is a tool for rapidly creating original photorealistic mosaics and incorporating improvised elements.
Artist Frederic Lecut
Mosaic Artist Frederic Lecut creates striking portraits of people’s eyes, mosaics that are photorealistic in execution and powerful as compositions because they are cropped closely and look almost like eyes seen in a Niqab. Continue reading