Artist Megan Heazlewood makes strong use of contrasting colors in her iconic mosaics, and I think her work is inspiring for that reason.
Egyptian Musicians Contemporary Mosaic by Artist Megan Heazlewood
There are several contrasting color pairs in Megan’s mosaic of ancient Egyptian musicians: the teal and pink of the lotus flowers, the blue and gold, the white robes and the different skin tones, the blues and greens versus the burnt orange.
I have written many times about black grout and why I recommend it for making tile colors look more intense, but I don’t think I have ever taken the time to talk about using black tile for the same reason.
Artist Carol Jasin recently emailed me some photos of her work, and she makes great use of black tile to make a her mosaics look more colorful and more substantial. Continue reading
Artist Apryl Howard sent me some pictures of her recent Arizona Sunset Mosaic, and it is the exception to several “rules” I have recommended over the years. It is also a great silhouette landscape that captures the color of light and is worth seeing merely for inspiration and ideas for your own artwork. Continue reading
Contrast is critical for creating images that catch the eye and text that is readable.
A mosaic sign recently completed by Ann Mitchell is a great example of the importance of contrast and the rewards of looking at your work in an objective way and reworking problem areas. Continue reading
To make detailed mosaic images using whole uncut tile, you need to use a tiny brand, such as the 8mm Recycled Glass Mosaic Tile by Morjo™ that we sell. You also need to make sure the image is large enough to accommodate the level of detail.
The Tree Mosaic recently completed by artist Robert Friedlander is good example of the relationships between the size of the tile, the size of the details to be rendered, and the size of the image as a whole.
It made me very happy when Robert told me that the mosaic was made with our new Morjo brand., but I was even more excited by how successful the project was in terms of contrast and visual impact and it being a good teaching example of how to use rows of whole tile without a rigid grid. Continue reading
Artists can create a sense of motion in their mosaics by using concentric curved rows of tile, especially in the background around figures.
To me this use of andamento* is one of the most interesting aspects of mosaic, and it is an easy way for novices to make art that really engages the eye. I used this technique in the first mosaic I ever made, and when I used a photo of that mosaic to make our logo, I blacked out the figure of the fire bird to emphasize how much of the sense of motion was creation was created by the andamento in the background.
*The Joy of Shards mosaic website defines andamento as the visual flow and direction within a mosaic produced by the placement of rows of tesserae (pieces of tile).
In my recent blog article about black and white grout, I wrote the following tip for minimizing the width of grout gaps and working a little faster at the same time:
If tiles only touch at points but not along the length of their sides, then tiles can be positioned very closely and yet still be grouted. Consider working in this way instead of carefully cutting each tile to maintain a uniform grout gap.
I need to clarify what I meant by that.
Uniform Versus Consistent
Sometimes novice mosaicists will carefully cut each tile to maintain a perfectly uniform gap, which can be a little tedious, and worse yet, they make the gap a little wider than it should be because the artist does not have the experience to visualize what it will look like when grouted.
I think it is better to work a little less uniform, and to err on the side of being slightly narrow, even if that means tiles occasionally touch at a point or corner. By better, I mean more efficient, less tedious, and better looking.
All that being said, it is extremely important that the mosaic have the same type of grout gap in all regions. You want to be consistent in your style of gap. You do not want to have loosely executed in one place and tightly uniform in another, nor do you want wide gaps in one region and narrow gaps in another. Continue reading
You can increase visual interest in your mosaic by using variegated colors (multiple colors in patches or streaks) instead of monochromatic fields of only one color. This technique is particularly effective if your design is relatively simple and made from outlined areas of color like a coloring book or cartoon. Continue reading
Artist Risa Puno recently completed her interactive mosaic sculpture Common Ground for Rufus King Park in Jamaica Queens, NYC, and the project is a great example for discussing materials and methods for mosaic table tops.
No Plywood Backers Outdoors
Plywood is never an acceptable backer for outdoor mosaic table tops.
Humidity in outdoor air can cause plywood to swell, contract, and warp, and even if the displacement is too small to be noticed, it can still cause grout to crack and tiles to pop off. Once grout has hairline cracks, moisture can penetrate underneath, and then there isn’t any hope for the mosaic lasting after that happens.
If you have a wooden table that you want to mosaic for outdoors, then attach a piece of 1/4-inch concrete backer board over the top of the wood and mosaic on that.
Seal your finished outdoor mosaic with a tile and grout sealer and reseal it each fall. Silicone-based gout sealers are wipe-on-wipe-off and easy to apply. Most of the work is buffing off the excess so that the surfaces are slippery. Continue reading
Artist Susan Watson created a stained glass and stone mosaic for her studio exterior wall and chose the background color and material using a process of trial and elimination.
Mixed-media mosaic artists often choose backgrounds by laying tile on the pattern or backer after the figures have been tiled, as I explained in my recent article How To Choose Mosaic Background Colors and Patterns.
Black was considered for the background because black makes colors “pop” or seem more intense. Susan decided black was too dark and didn’t look good with the colors where the mosaic would be installed.