Ana Bonnin emailed us some pictures of her recent entranceway mosaic, and I wanted to share these with our readers. Ana’s pictures also made me remember that I needed to summarize what I know about best practices for making porch mosaics last longer.
Ana’s mosaic is the family emblem that she and her husband designed to represent the parents (symbolized by oak leaves) protecting their seed. My favorite photo includes the doodlebug in question, with a disguise added digitally by Mommy. Continue reading
Artist Phyllis Kempter emailed me some photos of the ornaments she made using our kits for 3-inch spherical mosaic Christmas ornaments and our 12mm recycled glass tile (plus a few other sizes of tile), and her ornaments caught my eye for two reasons:
First, she used green in the patterns for her ornaments, which is good to do if you think the ornament might by hung on something other than a Christmas tree, at least some of the time. Green might not help the ornament stand out on the tree as well as red would, but it goes a long way toward suggesting Christmas when the ornament is not on a tree, especially when used with red.
Second, one of her photos was of her well-organized work space, and it illustrates several methods and tips for making the tiling process easier and faster. Continue reading
Artist Apryl Howard sent me some pictures of her recent Arizona Sunset Mosaic, and it is the exception to several “rules” I have recommended over the years. It is also a great silhouette landscape that captures the color of light and is worth seeing merely for inspiration and ideas for your own artwork. Continue reading
To make detailed mosaic images using whole uncut tile, you need to use a tiny brand, such as the 8mm Recycled Glass Mosaic Tile by Morjo™ that we sell. You also need to make sure the image is large enough to accommodate the level of detail.
The Tree Mosaic recently completed by artist Robert Friedlander is good example of the relationships between the size of the tile, the size of the details to be rendered, and the size of the image as a whole.
It made me very happy when Robert told me that the mosaic was made with our new Morjo brand., but I was even more excited by how successful the project was in terms of contrast and visual impact and it being a good teaching example of how to use rows of whole tile without a rigid grid. Continue reading
Artists can create a sense of motion in their mosaics by using concentric curved rows of tile, especially in the background around figures.
To me this use of andamento* is one of the most interesting aspects of mosaic, and it is an easy way for novices to make art that really engages the eye. I used this technique in the first mosaic I ever made, and when I used a photo of that mosaic to make our logo, I blacked out the figure of the fire bird to emphasize how much of the sense of motion was creation was created by the andamento in the background.
*The Joy of Shards mosaic website defines andamento as the visual flow and direction within a mosaic produced by the placement of rows of tesserae (pieces of tile).
You can increase visual interest in your mosaic by using variegated colors (multiple colors in patches or streaks) instead of monochromatic fields of only one color. This technique is particularly effective if your design is relatively simple and made from outlined areas of color like a coloring book or cartoon. Continue reading
Black grouts bring out the intensity of tile colors while white grouts overwhelm them. Natalie Knox’s Day of the Dead Skull mosaic is a good example of how well black grouts work and how a light colored backer isn’t a good indicator of the mosaic would look with white grout.
Don’t Be Fooled
If you lay the mosaic out on a white backer and try to use that as an indication of what the mosaic will look like with white grout, remember this:
When the gaps are filled with grout, they won’t have all the contrast provided by empty gaps, which have depth and shadow. A lot of white concrete at the same level as the surface of the glass tends to make the colors look washed out. Continue reading
Inspiring mosaic table tops with abstract geometric patterns were recently created by artist Risa Puno as part of her public art project Common Ground, an interactive sculpture designed to bring people closer together physically.
The concept of Risa’s sculpture plays on the metaphor of multiculturalism as mosaic, but instead of the folk or children’s artwork usually associated with that theme , there are cleaner abstract designs with color choices that ensure that each table has similar levels of intensity and contrast. The result is that the combined “quilt” is balanced and unified visually. Continue reading
Keira Miller recently made a mosaic bench in the shape of the state of California with a class of 4th, 5th, and 6th graders. The mosaic bench is made from California redwood and is to be auctioned off as part of a fundraiser to benefit their Montessori school.
Note that we do NOT recommend wood as a backer for outdoor mosaics, but if this mosaic had to be placed outdoors, some of the drier regions of California would be ideal. I think the mosaic would do well on a covered porch, and it would be a great addition to a family room or den. Continue reading
Artist Cherie Bosela has some mixed-media mosaic sculpture that you really should see, especially if you are considering making some of your own. Cherie’s body of work is incredible, and it includes bas relief mosaics (flat panel with raised elements) and figurative sculpture encrusted with glass beads and found objects such as seashells.
I absolutely love her stuff and how well material choices resonate with the subject matter, specifically the use of beads to create insects and flowers. (The ancient Egyptian word(s) for jewelry translates literally as “artificial flowers and animals,” if I remember correctly.) Continue reading