Artist RJ Spurr recently completed two mosaic tables for his home, and I wanted to share them because the level of craft work is excellent, and the designs are integrated with the color schemes of rooms where they were installed.
The great thing about dry indoor mosaics is that you can use wood as a base, and that means you can put mosaics on wooden tables. Thrift shops, yard sales, and unfinished furniture stores are great sources for tables, but you can also breath new life into old tables you already have on hand. Continue reading
Tracy Kaplan recently emailed us a picture of her FIRST mosaic, and it is nice solid work, impressive even, especially considering that her instructor gave her some problematic advice concerning the grout color. Tracy’s teacher had recommended a chocolate or nutmeg colored grout, but Tracy wisely considered how a dark brown might cause adjacent tree trunks to no longer be distinct and separate.
Perhaps Tracy’s instructor had meant a lighter shade of those browns, but I still think that those could have caused problems with the adjacent tree trunks.
Most likely, the instructor only saw a portion of the mosaic without adjacent tree trunks. Tracy admits that she only finished about an eighth of the work during the course and spent many months afterward working to complete it.
If so, this is yet another example of how artistic advice isn’t one-size-fits-all and can be counterproductive or even disastrous if the advice isn’t specific to a particular artist or even a particular work of art in its entirety.
Fortunately, Tracy emailed us for advice. Continue reading
Mosaic furniture can be made from glass mosaic tile more easily and more affordably than it can be made from pieces cut from antique china and other patterned dinnerware. It’s also much more colorful! The choices available range from bright rainbow colors to soft pastels to different color families, earth tones, black and white.
You can even render portraits and landscapes on things like headboards because you have a complete rendering tool.
When you use glass tile instead of whatever you could scrounge up from months of yard sales and thrift shops, you start with a lot of horsepower on your side. Continue reading
Repeating simple designs or motifs is an effective way to make iconic compositions that catch the eye, and you can take this technique to its extreme to produce abstract art where the pattern itself becomes the subject of the art and not just a tool for rendering figures.
Karla Conmy’s River Meanders mosaic is a good example of repeating motifs taken to the level of abstraction, and Sally Scardino’s Hummingbird mosaic is a good example of using a repeated motif to make a figurative composition stronger. Continue reading
Mosaic Art Supply tries to hire only professional artists from a working-class background, which means people who pursued their art because they were passionate about it and not merely because they had inherited some form of income. This means our workers have various skills and intellectual interests that inform their artwork and make them better employees all around, especially when it comes to advising customers on how to make their art safer or more durable or more interesting.
Living Melody Collective five female artists raising awareness in Atlanta.
One of our amazing employees Angela Bortone has created a multimedia mural for the National Center for Civil and Human Rights. Angela did this work as part of the Living Melody Art Collective, who are five female artists working in Atlanta to raise awareness of social issues through performance and visual art. I am proud to say that the work of creating the mural was done at the Mosaic Art Supply warehouse. Continue reading
Historically, mosaic icons were made with traditional materials like smalti, marble, and gold leaf glass. Those traditional mosaic materials might be preferred if you are trying to make a reproduction that looks historically accurate, but they are more expensive and more difficult to work with.
Do You Need Smalti?
If you have any latitude in choosing your materials, remember that it is possible to make striking and realistic images using ordinary vitreous glass mosaic tile, which is both affordable and easy to work with.
Vitreous is the same thickness as the gold leaf glass we sell, and so you could still incorporate gold in your icon if you decided to nix the smalti and stone. In fact, it would be easier to use our gold leaf glass with vitreous than with the thicker smalti and stone.
You can make mosaic street numbers and signs using a grid, but mosaics made from irregular shapes of non-gridded tesserae are more interesting, especially if you use concentric andamento for the background surrounding the figures.
Sara Sommers emailed us some pictures of her mosaic street number plaque, and it is made from cut pieces of tile in strongly contrasting colors. It is definitely worth checking out if you are thinking of making a piece with large mosaic letters or numerals.
For starters, Sara uses strong color contrast between her numerals and background, which is critical for making eye-catching art. She also uses multiple related colors and variegated patterns instead of solid monochromatic color fields. Continue reading
Mosaic is a great medium for beginners because it is accessible for people who don’t have much confidence in their ability to draw. Images can be rendered merely by arranging tile by trial and error until you like what you see.
Of course it helps to have a simple outline or pattern of the image you want to create, but you can easily create mosaic patterns without drawing, and you can easily transfer the pattern by tracing. You can also enlarge a pattern using only a ruler and pencil to draw grids.
Artist Debbie Watson emailed me some photos of her work and described herself as a newbie, saying that she has only been doing mosaic “since about February,” but it is fair to say that she has spent some time looking at mosaic art and thinking about what she would like to make.
Debbie’s mosaics have interesting elements and personality in spite of being relatively simple designs, and that is no small thing. Continue reading
For people wanting to make a portrait of their furry friend, I wrote an article on pet memorial mosaics using April Costigan’s work as illustrations of what is possible in terms of capturing likeness. The problem is that for many people, the task of rendering a realistic portrait of their pet is beyond their current skill level.
Fortunately, it is possible to make a pet memorial mosaic without the pet’s portrait and still make it personalized and specific to that pet. For example, instead of attempting an image of your pet, consider spelling their name in mosaic and making the surrounding area significant in terms of colors and found objects. More on that later.
Artist Jill Gatwood emailed us some pictures of some pet memorial name plaques that she has made, and they are good examples of the visual interest that can be created in the background with patterns of contrasting colors. I wanted to show these off because I think people who aren’t confident in their ability to draw will be inspired to make their own versions. Continue reading