Artist Jen Vollmer recently completed a shower mosaic which features fish and flowing water executed in the same colors as the surrounding mosaic tiling. Jen says that in retrospect, she wishes she would have used a darker grey grout and blue/green glass tiles instead of the light blue, which would have increased the contrast.
I’m partial to intense colors and strong contrast, and those are required for an image to be eye-catching, but what struck me about Jen’s mosaic was that it is subtle in a professional way, integrated with the existing tile work and intentionally calculated to not stand out too strongly.
It was almost as if a client had commissioned the work and said, “Make the design figurative and naturalistic and have its own flowing andamento, but make it also integrate visually with the grids of tile that it runs through, and do that as seamlessly as possible.” Continue reading
Artist Megan Heazlewood makes strong use of contrasting colors in her iconic mosaics, and I think her work is inspiring for that reason.
Egyptian Musicians Contemporary Mosaic by Artist Megan Heazlewood
There are several contrasting color pairs in Megan’s mosaic of ancient Egyptian musicians: the teal and pink of the lotus flowers, the blue and gold, the white robes and the different skin tones, the blues and greens versus the burnt orange.
If you search Google Images for “kitchen backsplash mosaics,” you can see some good work, but you will also see way too many photos of beige and gray tile work that really doesn’t help too much in the way of inspiration, especially if you are wanting to make an original figurative mosaic or use colors other than the monotonous earth tones that dominate the coverings industry.
Artist Heather Speers emailed me some photos of her recent kitchen backsplash mosaic, and it is a solid example of how figurative mosaics rendered in brighter colors can work for this location. Continue reading
One of the things I always notice in cities like New York or San Francisco are the older buildings that still have entrance ways and bathrooms with mosaics made from whole porcelain tile. These mosaics are very simple in design, sometimes merely a border around plain tile, or maybe a simple repeating geometric pattern. If there are objects or figures, they are simple stylized abstract motifs almost like those seen in Persian carpets.
Rebecca Stoops recently emailed us some photos of her bathroom mosaic project, and the design could be described as a re-imaging of those classic geometric designs, only executed in intense colors of vitreous glass tile instead of porcelain.
I have written many times about black grout and why I recommend it for making tile colors look more intense, but I don’t think I have ever taken the time to talk about using black tile for the same reason.
Artist Carol Jasin recently emailed me some photos of her work, and she makes great use of black tile to make a her mosaics look more colorful and more substantial. Continue reading
Why break up ceramic figurines to use the pieces in mosaic artwork when you can use the whole figurine? Artist Laurie Gilson emailed me some photos of her recent work, and they are great examples of how you can use ceramic figurines in your mosaics and still use standard elements such as tile arranged in rows. Continue reading
Ana Bonnin emailed us some pictures of her recent entranceway mosaic, and I wanted to share these with our readers. Ana’s pictures also made me remember that I needed to summarize what I know about best practices for making porch mosaics last longer.
Ana’s mosaic is the family emblem that she and her husband designed to represent the parents (symbolized by oak leaves) protecting their seed. My favorite photo includes the doodlebug in question, with a disguise added digitally by Mommy. Continue reading
Artist Marilyn Keating has some mosaic lawn sculptures of animals that are very much worth seeing, especially if you are considering making some yourself. Rather than trying to make her animals as naturalistic as possible, Marilyn wisely chose to make her animals stylized and whimsical, almost like three-dimensional cartoons come to life.
I used the word “wisely” because this style of art is more enjoyable to make and to see. We live in an age of mass production and machine precision, and so exact replicas of life often look artificial and devoid of humanity and art. On the other hand, Marilyn’s creatures are exuberant and “real” in a way that “serious” reproductions of real life aren’t.
Artist Phyllis Kempter emailed me some photos of the ornaments she made using our kits for 3-inch spherical mosaic Christmas ornaments and our 12mm recycled glass tile (plus a few other sizes of tile), and her ornaments caught my eye for two reasons:
First, she used green in the patterns for her ornaments, which is good to do if you think the ornament might by hung on something other than a Christmas tree, at least some of the time. Green might not help the ornament stand out on the tree as well as red would, but it goes a long way toward suggesting Christmas when the ornament is not on a tree, especially when used with red.
Second, one of her photos was of her well-organized work space, and it illustrates several methods and tips for making the tiling process easier and faster. Continue reading
Recently April Costigan sent us some pictures of pet memorial mosaics made on stepping stones and some portraits of pets still living, and they are great examples of what you could make for your loved one. April’s mosaics also show a natural progression in skill, and so they are worth showing to a wider audience. Continue reading