Category: Improving Your Art
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Mosaic Surfboards
Hermosa Beach artist Katy Jenssen makes mosaic surfboards, and for her, it is a logical choice of sculpture base. Katy’s family history and ethos are grounded in the local community, a premier beach town and surf destination, part of an area where a lot of Americana was born. Katy’s compositions fit the shape of the…
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Value Contrast in Abstract Mosaic Artwork
Natalija has made some abstract stained glass mosaics over the years, and I noticed something about one of them last week: It’s as a great example of value contrast and its power for creating a sense of depth and increasing visual interest. I’ve written previously about the importance of value contrast in figurative mosaic artwork…
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Mosaic Planter Grouted in Sections
Artist Donna Stern recently completed a round mosaic planter, which she grouted in sections. I wanted to share that work for several reasons, and not merely because it is solid work with an emphasis on primary colors with a good balance of warm and cool colors. There are several discussion points:
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Value Contrast and Variegation in Small Mosaic Artwork
I have written quite a bit about using color variegation to increase visual interest and the importance of value contrast in mosaic artwork. These two concepts are related, at least in a crude way: they both involve using multiple colors instead of one color, and they both make the artwork more interesting visually. Value Contrast…
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Student Mosaics & Black Grout
The mosaics in this article are mostly student work and use a wider grout gap than I recommend. The most-helpful tip about grout color is to use smaller grout gaps: The smaller the grout gap, the less impact grout has on the image and its colors. The process of grouting is also easier with a…
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Excellence in Mosaic Art
In my post, “Agonizing over Mosaic Icons,” I discussed artist Sue Hague’s mosaic reproductions of Greek Christian icons, and the troubles she was experiencing due to the grout gap. My advice to Sue was to eliminate the grout gap in her future work because these icons weren’t architectural surfaces exposed to the elements. The grout…
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Rendering Light with Verisimilitude in Mosaic
Artist Karen Kittmer’s mosaics are beautiful works of art. They are also worthy of study for several different reasons if you are serious about improving your own mosaics. The first reason I recommend Karen’s work for study is that she renders light and shadow with photographic verisimilitude. The second reason is that Karen isn’t limited…
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Grout Study: Mixed-Media Mosaic
Artist Lorie Beercheck emailed me an in-progress photo of the mixed-media mosaic sign plaque she was making as a housewarming gift for her friends new B&B. Lorie wanted advice on the grout color. I was glad to give it because the mosaic was a mixed-media figurative image and so more likely to impacted by the…
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Using Floor Tiles as Backers for Outdoor Mosaic Plaques
Concrete stepping stones should be used as the bases for outdoor mosaics that will be walked on, and the stepping stones and thinset mortar that you would need to make those are available at most any building material store. But what if you want to make small mosaic signs and mosaic plaques for your garden…
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Mosaic Mural by Stages
Artist Kim Kahrilas’ bunny mosaic mural uses pet portraits and children’s book illustrations for inspiration and demonstrates how you can create a larger project by making it in modules. Kim made the mosaic on sections of tile backer board, with each section or panel having it own composition: four separate stand-alone scenes featuring bunnies plus…
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Mosaic Door First Full Revision
My Mosaic Door Project was something I had never done before: combining a work of art that was being made for magical/spiritual reasons with a commitment to FINALLY start doing a good job of photographing my artwork as I work and creating good teaching examples. I’m the guy that has never photographed vacations and wilderness…
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Two Mosaic Safety Tips
A stainless-steel ruler and a spray-bottle filled with water are all you need to avoid the most common injury and the most serious risk associated with creating mosaic artwork.