One of the things I always notice in cities like New York or San Francisco are the older buildings that still have entrance ways and bathrooms with mosaics made from whole porcelain tile. These mosaics are very simple in design, sometimes merely a border around plain tile, or maybe a simple repeating geometric pattern. If there are objects or figures, they are simple stylized abstract motifs almost like those seen in Persian carpets.
Rebecca Stoops recently emailed us some photos of her bathroom mosaic project, and the design could be described as a re-imaging of those classic geometric designs, only executed in intense colors of vitreous glass tile instead of porcelain.
I have written many times about black grout and why I recommend it for making tile colors look more intense, but I don’t think I have ever taken the time to talk about using black tile for the same reason.
Artist Carol Jasin recently emailed me some photos of her work, and she makes great use of black tile to make a her mosaics look more colorful and more substantial. Continue reading
Angela made a mosaic picture frame using our irregular glazed ceramic tile and left the sides of the frame uncovered. She also nested the angular shapes to created an abstract pattern without cutting any of the tiles to make them fit.
The unfinished side edges of Angela’s mosaic look particularly neat because the sides of the ceramic tile is straight and not beveled like the sides of vitreous glass mosaic tile, which could still be used if you didn’t mind an edge that was a little rougher. Continue reading
Why break up ceramic figurines to use the pieces in mosaic artwork when you can use the whole figurine? Artist Laurie Gilson emailed me some photos of her recent work, and they are great examples of how you can use ceramic figurines in your mosaics and still use standard elements such as tile arranged in rows. Continue reading
Ana Bonnin emailed us some pictures of her recent entranceway mosaic, and I wanted to share these with our readers. Ana’s pictures also made me remember that I needed to summarize what I know about best practices for making porch mosaics last longer.
Ana’s mosaic is the family emblem that she and her husband designed to represent the parents (symbolized by oak leaves) protecting their seed. My favorite photo includes the doodlebug in question, with a disguise added digitally by Mommy. Continue reading
Artist Marilyn Keating has some mosaic lawn sculptures of animals that are very much worth seeing, especially if you are considering making some yourself. Rather than trying to make her animals as naturalistic as possible, Marilyn wisely chose to make her animals stylized and whimsical, almost like three-dimensional cartoons come to life.
I used the word “wisely” because this style of art is more enjoyable to make and to see. We live in an age of mass production and machine precision, and so exact replicas of life often look artificial and devoid of humanity and art. On the other hand, Marilyn’s creatures are exuberant and “real” in a way that “serious” reproductions of real life aren’t.
Artist Phyllis Kempter emailed me some photos of the ornaments she made using our kits for 3-inch spherical mosaic Christmas ornaments and our 12mm recycled glass tile (plus a few other sizes of tile), and her ornaments caught my eye for two reasons:
First, she used green in the patterns for her ornaments, which is good to do if you think the ornament might by hung on something other than a Christmas tree, at least some of the time. Green might not help the ornament stand out on the tree as well as red would, but it goes a long way toward suggesting Christmas when the ornament is not on a tree, especially when used with red.
Second, one of her photos was of her well-organized work space, and it illustrates several methods and tips for making the tiling process easier and faster. Continue reading
Recently April Costigan sent us some pictures of pet memorial mosaics made on stepping stones and some portraits of pets still living, and they are great examples of what you could make for your loved one. April’s mosaics also show a natural progression in skill, and so they are worth showing to a wider audience. Continue reading
Artist Apryl Howard sent me some pictures of her recent Arizona Sunset Mosaic, and it is the exception to several “rules” I have recommended over the years. It is also a great silhouette landscape that captures the color of light and is worth seeing merely for inspiration and ideas for your own artwork. Continue reading
Contrast is critical for creating images that catch the eye and text that is readable.
A mosaic sign recently completed by Ann Mitchell is a great example of the importance of contrast and the rewards of looking at your work in an objective way and reworking problem areas. Continue reading